{"id":129,"date":"2020-07-23T22:30:00","date_gmt":"2020-07-23T22:30:00","guid":{"rendered":"https:\/\/blog.cinelytic.com\/?p=129"},"modified":"2020-10-14T12:14:07","modified_gmt":"2020-10-14T12:14:07","slug":"theatrical-or-no-theatrical","status":"publish","type":"post","link":"https:\/\/www.cinelytic.com\/blog\/theatrical-or-no-theatrical\/","title":{"rendered":"Theatrical or no Theatrical?"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">As the entertainment industry starts to rethink release strategies due to the impact of the enduring COVID crisis Cinelytic provides critical insights into the economics of a&nbsp;<strong>traditional theatrical vs. direct to&nbsp;OTT release<\/strong>&nbsp;by using our OTT demand data and our content evaluation platform.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a&nbsp;<strong>case study<\/strong>, we ran the Tom Hanks film GREYHOUND as the&nbsp;original theatrical release it meant to be and discovered that base case&nbsp;<strong>it would have barely broken-even with an&nbsp;ROI of 1.6%.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">GREYHOUND was sold to Apple+ for a streaming release when the COVID crisis hit generating a substantial profit for Sony with a reported sale price of $70m.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Our OTT demand data from July10-20 shows that GREYHOUND turned out to be the first major hit for Apple+ which also had to do with the fact that audiences are starved for new content as traditional studios hold back titles for the theatrical window.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The chart below shows the success of GREYHOUND and the current dominance of streaming titles vs. 6 months ago (Jan 10-20) when major studio titles dominated the Top 20:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With theatrical reopening being pushed back further, we recommend&nbsp;that&nbsp;<strong>studios\/content providers should&nbsp;<u>seize the opportunity<\/u>&nbsp;of content-hungry&nbsp;audiences combined with a&nbsp;lack of competition and release more titles direct to OTT.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Want to learn more &#8211; reach out: <a href=\"mailto:info@cinelytic.com\">info@cinelytic.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As the entertainment industry starts to rethink release strategies due to the impact of the enduring COVID crisis Cinelytic provides critical insights into the economics of a&nbsp;traditional theatrical vs. direct to&nbsp;OTT release&nbsp;by using our OTT&#8230;<\/p>\n","protected":false},"author":7,"featured_media":161,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[20,21],"class_list":["post-129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-ott","tag-theatrical"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Theatrical or no Theatrical? 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